“Be patient towards all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue”
-RAINER-MARIA RILKE (1875-1926)
subject – 18th-century french art, interiors and culture
1. Adhémar, Jean, Graphic Art of the 18th Century. McGraw-Hill Book Company, 1964.
2. Bailey, Colin B., Consibee, Philip, Et. Al., The Age of Watteau, Chardin and Fragonard: Masterpieces of French Genre Painting. In Association With The National Gallery Of Canada, Ottawa. Yale University Press, 2003.
3. Baur, Eva-Gesine, Rococo. Taschen, 2007.
4. Connolly, Cyrill and Zerbe, Jerome, Les Pavillons, French Pavilions of the Eighteenth Century. The MacMillan Company, New York, 1962.
5. Delille, Jacques, The Gardens, A Poem, Tr. (by M.H. Montolieu). Public Domain. Printed by T. Bensley, Bolt Court, London, 1805.
6. Duffey, Stephen and Hedley, Jo, The Wallace Collection’s Pictures: A Complete Catalogue. Unicorn Press and Lindsay Fine Art, Ltd., London, 2004.
7. Faniel, Stephane, Le XVIII Siècle Français. Hachette, France, 1957.
8. de Goncourt, Edmond and Jules, French Eighteenth-Century Painters. Originally published in twelve parts, 1856–1875. Cornell University Press, Ithaca, 1981.
9. Grasselli, Margaret Morgan, Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France. National Gallery of Art, Washington, 2003.
10.Hedley, Jo, Francois Boucher, Seductive Visions. The Wallace Collection, London, 2004.
11. Huisman, Philippe, French Watercolors of the 18th Century. Viking Press, New York, 1969.
12. Hunter-Stiebel, Penelope, La Volupté Du Goût: French Painting in the Age of Madame de Pompadour. Musée des Beaux-Arts, Tours and Portland Art Museum, Oregon. Somogy Éditions d’Art, Paris, 2008.
13. Jarrassé, Dominique, 18th-Century French Painting. Finest SA/Editions Pierre Terrail, Paris, 1998.
14. Lady Dilke, French Decoration and Furniture in the XVIII Century. George Bell and Sons, London, 1901.
15. Lady Dilke, French Engravers and Draughtsmen of the XVIII Century. George Bell and Sons. London, 1902.
16. Lebrun, Louise-Elizabeth Vigee and Strachey, Lionel, Memoirs of Madame Vigee Lebrun. Reprint of the 18th C book. Grant Richards, London, 1904.
17. Luyster, Isaphene M., (Translator and Editor), Memoirs & Correspondence of Madame Récamier. Reprinted from 1867 edition. University Press of the Pacific, Honolulu, Hawaii, 2002.
18. Rolland, Romain (Rousseau), Maurois, André (Voltaire) and Herriot, Eduoard (Diderot), French Thought in the Eighteenth Century: Rousseau, Voltaire, Diderot. David McKay Company, Inc., New York, 1953.
19. Rosenberg, Pierre, From Drawing to Painting: Poussin, Wattteau, Fragonard, David & Ingres. The A.W. Mellon Lectures in the Fine Arts, 1996. Princeton University Press, Princeton, New Jersey, 2000.
20. Rousseau, Francis, The Book of Antique Furniture, An International Style Guide from the 16th to 20th Century. Chartwell Books, Inc., Edison, New Jersey, 2000.
21. Schönberger, Arno and Soehner, Halldor, The Rococo Age: Art and Civilization of the 18th Century. McGraw-Hill Book Company, 1960. 22. Sheriff, Mary D., (Editor), Antoine Watteau: Perspectives on the Artist and the Culture of His Time. University of Delaware Press, 2006.
23. Sterling, Charles, (Curator of Paintings at the Louvre), The Metropolitan Museum of Art: A Catalogue of French Paintings XV-XVIII Centuries. Harvard University Press, 1955.
24. Turner, Jane (Editor), From David to Ingres, Early 19th-Century French Artists. St. Martin’s Press, New York, 2000.
25. Wakefield, David, Boucher. Chaucer Press, London, 2005.
26. Whitehead, John, The French Interior in the Eighteenth Century. Lawrence King Publishing, 1992.
subject – textile and fashion arts
1. Hart, Avril and North, Susan, Fashion In Detail: From the 17th and 18th Centuries. Rizzoli, New York, 1998.
2. North, Susan, 18th-Century Fashion in Detail. Victoria and Albert Museum, London, 1998.
3. Takeda, Sharon Sadako and Spilker, Kaye Durland, Fashioning Fashion, European Dress in Detail 1700-1915. Los Angeles County Museum Of Art, Delmonico Books-Prestel, 2010.
subject – poetry and aesthetics
1. Burke, Edmund, A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. First addition published 1757. Oxford University Press, 1990.
2. Keats, John, The Major Works including Endymion and selected letters. Oxford University Press, 1990.
3. Wordsworth, William, Preface to Lyrical Ballads. (1800). Famous Prefaces, The Harvard Classics, 1909-14.
1. Fried, Michael (1974) “Absorption, A Master Theme in Eighteenth-Century French Painting and Criticism.” The John Hopkins University.
2. Mayor, A. Hyatt (1941) “Chinoiserie.” The Metropolitan Museum of Art Bulletin, New York.
3. Parker, James (1969) “The Hotel de Varengeville Room and the Room from the Palais Paar: A Magnificent Donation.” The Metropolitan Museum of Art Bulletin, New York.
4. Posner, Donald (1972) “The True Path of Fragonard’s ‘Progress of Love’.” Burlington Magazine.
The above-mentioned books are from my personal collection. Some are over a hundred years old and have brittle pages which fray at the seams when held between my fingers. Their faded color and old book scent inspire within me feelings of wonder. With great pleasure I return to these pages, sometimes for research, and other times to time travel.