Jacques Beauvarlet (1731-1797)

A wonderful PAIR of 18th CENTURY FRENCH ENGRAVINGS in Period Frames, one of these is after a painting by François Boucher.

 

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Product Description

The larger of the two prints is titled, L’Arivee du Courier (The Arrival of the Messenger);  by master engraver Jacques Firmin Beauvarlet; after a painting by the great rococo aritst, and court painter to King Louis XV, François Boucher. With frame, this measures approximately 18.5″ tall by 14.25″ wide.

L’Arivee du Courier,  is also among the archives of the METROPOLITAN MUSEUM OF ART’S 18th century print’s collection.  This can be viewed on the MET’s website at:

http://www.metmuseum.org/search-results?ft=beauvarlet

In typical rococo style, L’Arivee du Courier depicts a bucolic setting with sheep, lush foliage, flowers and an adorable little dog, where a shepherdess waits to receive a ‘love letter’. The letter is a tiny note carried around the neck of a carrier pigeon.  The sherphardess is modeled by one of François Boucher’s favorite models, a young Irish woman named Marie-Louise O’Murphy. She was also mistress to King Louis XV and the first occupant of the King’s private harem, which was known as Le Parc aux Cerfs. Conveniently, for the King, his harem was located in Versailles!

The smaller print is an 18th century French engraving titled, Le soleil est dans sa hauteur. With its frame the measurements are approximately 11″ tall by 8.5″ wide.

These original 18th century French engravings are in very good condition, however their charming antique giltwood frames have small losses, including some losses to their bow-knot crests. We find these period frames to be very sweet, even with their chips and losses.

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Andrea Fisher Design

Andrea Fisher Design